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Riverside Symphony
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Riverside Symphony : ウィキペディア英語版
Riverside Symphony

Riverside Symphony is a New York-based professional orchestra founded in 1981 by conductor George Rothman and composer Anthony Korf. The orchestra performs an annual three-concert series at Alice Tully Hall, Lincoln Center and is recognized for programs which emphasize lesser known repertoire.〔(Bernard Holland, "Riverside Symphony Performs at Alice Tully Hall," ''The New York Times'', June 17, 2006. )〕 The orchestra provides an ongoing forum for emerging soloists of exceptional promise and has showcased numerous instrumental and vocal talents over its 34-year history.
==History==
Directors George Rothman and Anthony Korf met as students at the Manhattan School of Music during the mid 1970s and formed Riverside Symphony after a 1980 concert at Riverside Church.〔Steve Smith, "Group Dynamics: Riverside Symphony celebrates a quarter-century of musical community building," ''Time Out New York'', November 3–9, 2005 Issue 527.〕 Numbering some 40 musicians in its core roster, the orchestra draws upon New York City's freelance community for its talent, at times expanding in size to meet the demands of larger works.〔Ibid.〕 Since the Symphony's inception, directors George Rothman and Anthony Korf have served as Conductor and Composer-in-Residence respectively.
The orchestra's concerts regularly feature guest soloists from around the world. These have included early career appearances by Carter Brey,〔Florence Fletcher, ed., "Music and Dance," ''New York Magazine'', March 25, 1991, p. 94.〕 Frederic Chiu,〔("Frederic Chiu," ''Yamaha Artists'' (accessed June 11, 2015). )〕 Jeremy Denk,〔(Anthony Tommasini, "Beyond 'The Twilight Zone': An Impressionist Composition," ''The New York Times'', October 27, 2001. )〕 Tim Fain,〔(Anthony Tommasini, "A Composer Best Known for a Creepy TV Tune," ''The New York Times'', June 4, 2009. )〕 Marc-André Hamelin,〔("Marc-André Hamelin," ''The Canadian Encyclopedia'' (accessed June 11, 2015). )〕 Christopher O'Riley,〔Peter G. Davis, "Musical Chairs," ''New York Magazine'', November 21, 1988, p. 127.〕 and Shai Wosner.〔("Pianist Shai Wosner to perform Viktor Ullmann's "Die Weise Von Liebe und Tod Des Cornets Christoph Rilke" with baritone Wolfgang Holzmair at the 92nd Street Y on Monday, January 23," ''Shuman Associates'' (accessed June 11, 2015). )〕 The Symphony has also collaborated with guest narrators Cynthia Nixon,〔("Riverside Symphony with Cynthia Nixon," ''The New Yorker'', June 6, 2012. )〕 Sam Waterston,〔(Allan Kozinn, "Asian and Latin Timbres in a West Coast Fusion," ''The New York Times'', November 7, 2005. )〕 and Irene Worth.〔Florence Fletcher, ed., "Music and Dance," ''New York Magazine'', May 8, 1989, p. 114.〕
Riverside Symphony’s curatorial focus has been mainly directed to overlooked corners of the repertory, with a special emphasis on contemporary music. The orchestra has championed such American composers as Andrew Imbrie, Stephen Hartke, George Tsontakis,〔(Allan Kozinn, "An Ensemble Sheds a Spotlight on New and Unusual Repertory," ''The New York Times'', November 7, 2010. )〕 Mario Davidovsky, & Ricardo Zohn-Muldoon,〔(Mexican Cultural Institute of New York, "NY Premier: Zohn-Muldoon @ Lincoln Center," January 29, 2012. )〕 and European composers Marius Constant, Henri Dutilleux,〔(John Rockwell, "All-French Program by Riverside Symphony," ''The New York Times'', October 15, 1989. )〕 Guus Janssen,〔(Steve Smith, "Orchestra’s Daring Mix: Bit of Bach and a Jolt of Jazz," ''The New York Times'', February 7, 2008. )〕 & Robert Suter,〔(Paul Griffiths, "An Anxiety That Rules Out Romanticism," ''The New York Times'', May 8, 1998. )〕 among others.〔(Riverside Symphony, "Recordings" (accessed June 11, 2015). )〕
Furthermore, Riverside Symphony's ''International Composer Reading Program'' has sought to expand the field of opportunity for living composers worldwide.〔(Riverside Symphony, "Who We Are" (accessed June 15, 2015). )〕 While several of the readings have been devoted solely to American works chosen from an open competition process, several installations of this project have also focused on works by composers from a designated country, such as France, Norway, or Switzerland.

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